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Source Information

Wesleyan University
Middletown, CT

Taper: John Redmond
SOURCE Nak 100s > D5

AUD MCass (Maxell MX 100)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) >
Mastering > SHNv3

Mastering Notes: X-Noise was used to remove the noise floor and the 24/48 WAVs were assembled in the Wavelab Audio Montage window, crossfades were made at tapeflips. A Level adjustment during Landlady was compensated for. It sounded like tape was stopped between the final section of Reba and the reprise, as well as Tube & Tweezer, I edited out some silence and performed crossfades. 3dB was added to compensate for an overall level change from Paul & Silas thru Magilla. The following mastering processes were applied: X-Noise, Waves REQ (2-band, top secret settings), Blue Tubes FA770, BBE Sonic Maximizer (2, 2, unity), Blue Tubes LM2S limiter. The resulting .WAV was tracked in CD-WAV and converted to SHNv3 (seek tables appended).

transfer>24bit FLAC files by Weave - on 10/22/2003
All mastering was peformed at Bunker 8 Digital Labs, all edits were performed on on Doomtooth, both by

01. Dinner and a Movie
02. Bouncin'
03. The Sloth
04. The Landlady
05. Reb/a
06. //Yamar
07. Tube
08. /Tweezer
09. Paul and Silas
10. Mike's Song >
11. I Am Hydrogen >
12. Weekapaug Groove

01. Magilla//
02. // Run Like An Antelope
03. Contact

NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).

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