Current location: 1988/1988-11-03
Parent DirectoryOpen-
Ph1988-11-03d1t01Stream Download4,725.14 KB
Ph1988-11-03d1t02Stream Download10,160.65 KB
Ph1988-11-03d1t03Stream Download6,196.98 KB
Ph1988-11-03d1t04Stream Download8,541.27 KB
Ph1988-11-03d1t05Stream Download21,289.43 KB
Ph1988-11-03d1t06Stream Download10,340.65 KB
Ph1988-11-03d1t07Stream Download7,873.31 KB
Ph1988-11-03d1t08Stream Download8,608.61 KB
Ph1988-11-03d1t09Stream Download7,888.00 KB
Ph1988-11-03d2t01Stream Download5,914.41 KB
Ph1988-11-03d2t02Stream Download6,540.74 KB
Ph1988-11-03d2t03Stream Download15,177.39 KB
Ph1988-11-03d2t04Stream Download5,174.53 KB
Ph1988-11-03d2t05Stream Download14,076.57 KB
Ph1988-11-03d2t06Stream Download11,068.29 KB
Ph1988-11-03d2t07Stream Download8,827.80 KB
Ph1988-11-03d2t08Stream Download6,515.35 KB
Ph1988-11-03d2t09Stream Download14,074.12 KB
Ph1988-11-03d3t01Stream Download2,838.82 KB
Ph1988-11-03d3t02Stream Download7,987.80 KB
Ph1988-11-03d3t03Stream Download10,065.14 KB
Ph1988-11-03d3t04Stream Download2,440.25 KB
Ph1988-11-03d3t05Stream Download6,724.74 KB
Ph1988-11-03d3t06Stream Download4,272.08 KB
Ph1988-11-03d3t07Stream Download15,829.43 KB
Ph1988-11-03d3t08Stream Download13,183.31 KB
Stream Show
Download Show (ZIP file)
230.80 MB
Powered by a modified Mp3ToolBox

- Show Info | Reviews | Source Info -

Source Information

Molly's Cafe
Boston, MA
Soundcheck, Sets 1, 2 and 3

End of Set 2 and all Set 3 and Soundcheck: SOURCE SBD > Cass/1

SBD Cass/1 (Maxell XLII-S 90 min from John Redmond)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) >
Mastering (see notes)> SHNv3

Set 1 and Partial Set 2: SOURCE SBD > Cass/x

SBD Cass/x (Maxell XLII 90 min from Josh Porter)> Sony TC-WE805S >
Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")>
Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) >
Mastering (see notes)> SHNv3

The Porter sources were just volume adjusted and had some slight EQ to try and lessen the Bass distortion. This source was used for Set 1 + part of Set 2 and the Bowie from Set 3.

The Redmond source:
RBass @ 35Hz +1db > BBE 0/1/0 > L1 > 192kHz ReSampler (48>44.1) > L1+ (24>16 Normal/Mode1/Digital) > SHNv3

The 2 sources were then run through a MetaNormalizer to equalize the volume between the 2 sources as closely as possible.

The Redmond source starts and ends at the * but was also used for the soundcheck.

Both sources:
Transfer>24bit FLAC files by Weave - on 1/17/2004
Edited, Mastered, Tracked, and SHN'd on REBA/SLOTH by Marmar- June 2004

Disk 1:
1) *//Shaggy Dog
2) Foam//*
Set 1:
3) Fire
4) Golgi Apparatus
5) Fluffhead->
6) Possum
7) Fee
8) Alumni Blues
9) Good Times Bad Times

Disk 2:
Set 2:
1) Time Loves a Hero
2) Walk Away
3) Lizards >
4) //Jam (see Transfer note)
5) *//Whipping Post
6) Contact
7) Bold as Love
8) Take the A-Train
9) Run Like an Antelope

Disk 3:
Set 3:
1) banter
2) Suzy Greenberg
3) Foam
4) banter
5) I Didn't Know
6) Big Black Furry Creature From Mars
7) Harpua*
8) David Bowie//

Thanks to John Redmond and Josh Porter for the Cassettes.

Transfer notes:
I'm not sure about the song after Lizards. It does not seem to be a natural transition, but I can't find any evidence the tape was stopped and restarted and the crowd sounds the same.

This was my (Weave) and John Redomond's first show!!

John received his copy of the end of Set 2 and Set 3 from Ben Hunter in late 88 or early 89. We are assuming it is Cass/1 since Hunter most likely made this copy of the master, but it is possible it is Cass/2, This is the only part of this show John has in his collection. This tape is missing the David Bowie found on Josh's tape and has the soundcheck instead.

Josh Porter provided a complete copy of this show and the soundcheck on 2 cassetes, the soundcheck, Set 1 and the beggining of Set 2 on one tape, and the end of Set 2 and Set 3 on the other. These tapes are of unknown (but low) gen. Redmonds copy of Set 2/3 is of much better quality.

This is the 1st time Phish played Boston. Molly's was located at the corner of Harvard and Brighton Aves in Allston. Very small bar, maybe 150-200 people. At that time Molly's was known for hosting Grateful Dead cover bands on Sunday nights.

NO tracking/editing/alterations performed before archiving to 24-bit FLAC
(except to trim silence from the ends).

Seeded to FurthurNet (